BRIDGES may easily (and quite erroneously) get lumped in with every other current metal/hardcore band playing out today, but this does them no justice. Shifting between the audible snarl and massive attack of hardcore and metal to delicate and downright pretty alternative minded exalt on a dime, BRIDGES, in a very big sense, play simply heavy music. Not heavy in the classic metal distorted-and-detuned-riffs kind of way, but heavy in perhaps an emotive sense. There are elements of hardcore and modern metal, yes, but the real strength behind this band is that their music largely defies any easy categorization, instead using the 60+ years of combined innovation to bring about one of the most well versed and original bands currently in Colorado.
On a whim, I asked them to quickly list the bands that they had played in or currently part of. They easily listed over a dozen, with some being short tenures in young acts fresh out of high school with others spanning for multiple years, tours, and record label heat.
But what really amazes me about BRIDGES is their reverence for each other. In all my time spent hanging out with bands (both my own and other), I have never encountered a band which seems to enjoy the presence of each other more. They bring the act of playing music back to a core that often falls by the wayside; Simply enjoying it.
I spoke with BRIDGES on a dimly lit porch, beers flowing, on a windy night Tuesday, November 10th 2015.
PULP/ Your previous bands all kind of sound like a lineage tree of Pueblo metal and hardcore. After hearing all that, how does it feel?
Matt (Herrera/guitar) / I think it’s really cool. I’ve always been fortunate that with all of the bands I’ve been in were with friends. Just playing together, getting along outside of music. And now, we’ve all been in other bands when we were younger. I met Joe and Adam when they were both probably like 14 o4 15, and now I’m playing in a band with them? I never would of thought.
Tyler (Boyce/Vocals) / But I can say that out of all the bands I’ve been in, this has been the most fun to be a part of. On a writing level and on a friendship level. It’s just always good.
In some of your previous bands, there was some label heat and contracts and business stuff. Are you dealing with any of that stuff now?
Tyler/ It’s definitely a lot easier with BRIDGES. With my old band, some of the guys got so sucked into wanting to “make it” that we were writing too fast and putting out stuff that wasn’t ready, and wasn’t as good as it should have been.
Matt / Well with (previous band) Son of Man, it ended the way it did because by the end of it, it wasn’t any fun. It was all business. I want to try and take a more organic approach with this band. I want to still be busy, but not push anything that isn’t ready or right. Instead of worrying about obligations and the business of it, I want to focus on writing the best music we possibly can. Everything is so saturated right now in our genre. I don’t know exactly what our genre is, but it’s hard to stick out. I’d like to push our own thing, and not falling into a mold. My favorite bands have always been ones that are heavy, bot not in the usual way, you know?
How do you feel like BRIDGES differentiates from other acts out now?
Matt/ Well. Bands have started to, and I even hate saying this, but using dance moves and choreography. It’s so stupid.
What does that mean? Like dancing with guitars?
Matt / Yeah, like head banging and spins and stuff. It used to be, when a band was getting into the music, it was just something that happened naturally. In Son of Man, really we were all just trying to keep up with (SOM bandmate) Mo. But I get it, when I was younger and in a band, we did tons of stupid shit. I mean, it was the late 90’s. We all loved Korn and Limp Bizkit, so use your imagination. (laughs) But it totally sucks when people and bands are more worried about a dance move or a look than what they are writing.
Josh (Ewing/bass) / Every time we jam, it’s all organic. (laughs) When you start choreographing it, it seems fake and more like going through the motions than having fun.
BRIDGES has always been a more sonically adventurous band to me. You’re heavy, but it’s more in layers rather than in riffs. Is that something you try to do on purpose?
Matt/ We’ve always made it a point to not write the same way twice.We all love different things; Clean parts, and having melodies and parts that go places, rather than just the same riff over and over. There’s no point in having two guitar players who are playing the exact same thing. We even talked about writing a pretty and clean (guitar tone) song at some point. It’s always better to try and work toward something new. It’s exciting.
Tyler/ And that’s one of the thing that initially interested me about trying out for the band. Like you said, there are layers to it. And it’s very intricate. You can dissect it, and you can find so many different types of music in it.
Joe (Johnson/Guitar)/ It’s just nice to have the people to do it. We’re all open minded.
Do you think Pueblo is hurting for an all ages place to play?
Matt/ Oh, totally. I think it has taken Phil’s (Radiator) being gone, and kind of ripped out without a choice, for people to realize that it is hurting. Sure, they’ve re-opened now, but they’re not all ages. It feels like there’s this big gap, but it’s slowly being filled back up. We played a show at the Daily Grind a while back, and we got to play for a bunch of kids who wouldn’t have otherwise got to see us. There’s an untapped youth market here in town, but there’s nowhere for them to go see bands play.
Tyler/ Another thing, is there are now finally young bands still in high school that are starting to pop up. But this scene isn’t what it used to be. Everyone we know now is older, and no one really kept going. Where are these new bands supposed to go?
Matt/ It’s a bummer because I’ve never even heard of these guys, and there’s nowhere to check them out. We’ve only played Pueblo twice in the last year.
Any reason for that?
Tyler/ It’s hard to find places where you can play. It’s hard when no one wants to invest in Pueblo. Everyone thinks that Pueblo is this s— hole, and it is a small town, but I love it here. I’ve seen and met a lot of cool people, and there’s a lot of cool things happening here. But nobody chooses to get up off the couch to see them. and yet everyone complains that there’s nothing to do. That’s the saddest part.
Josh/ There’s a lot of great stuff here that fails due to lack of support.
Matt/ There’s so much negative stuff being said and reported about our city, it’s just nice when people can get out there to other places and show them that we’re not all gang bangers and drug addicts. I mean, we all make jokes sometimes, but I want to share that there are good people and good things going on here. When bands come down here to play, they all say it’s great, you know?
With the band all coming from such different musical styles, is writing the way you do more difficult?
Tyler/ When we write stuff, we all kind of write with it too. Someone has an idea, and we all try to make it fit with how we see it, and still make it into something we’re all looking for. We all compensate for each others’ styles in that way. It’s a team effort.
Josh/ I think it helps that we all try to have an open mindset with writing. No one ever comes in and says “I have an idea and it has to go exactly like this.”
Do you feel like it makes it more unique that way?
Matt/ It makes it more real, and definitely gives it a more unique identity. It’s great. It makes it so that we can’t make anything cookie cutter. It’s good to be able to do that. More rewarding that way.
Tyler/ I also think it’s maybe why we all get along so well too. There’s never anyone jumping down someone’s throat about not playing something the “right” way. We just want to make something that we like a lot and can be proud to show people. We put a lot of time into it, and when we get any kind of good feedback about it, to say that it gave them some sort of feeling or emotion, that’s the coolest thing about making music. And makes us happy.
Josh/ And it’s totally applicable to anyone doing any kind of art. If you’re doing it the way you want, not under anyone else’s guidelines, and attain results that they’re proud of, especially if it’s someone telling you they love it, definitely makes it way more rewarding.
Is that part of the reason you guys play music to begin with? For that feeling?
Josh/ Oh, definitely. The core factor of it comes down to I love to do it for myself. I love playing music and playing it with my best friends.
Tyler/ Exactly. The best part, is you get to show up, hang out with your best friends, and make music that hopefully you can all enjoy and get behind. If not, why are you doing it?
The Pulp is fueled by your support…
Local and independent journalism is under threat in the West and you can change that. If you find value in what the PULP does, consider a one-time contribution or subscribe for full access to the PULP.
Subscribe and let’s tell a better story of Southern Colorado.