Connect with us

Music

Stand By This Man: A Talk with Andy Hamilton & the Rocky Mountain Contraband

Published

on

It’s no secret to anyone listening that country music, once a proud American traditional style made up of Appalachian roots, blues, and European folk traditions, just ain’t the same. Gone are the homespun recordings and the cowboy tales. In its wake, a new version oft dubbed pop or “crossover” country has taken its place and taken over the charts, largely while eliminating many of the tenets and traditions that made this uniquely American art form what it was.

But there are still plenty of artists interested in country music as a continuation of tradition. While not technically or sonically as rudimentary as early country acts sounded, (his music has the twang and production of late 60’s and 70’s legends Merle, Waylon and Willie) Denver based Andy Hamilton and his Rocky Mountain Contraband have serious chops and a back-to-basics approach all their own. Taking sounds and cues from those AM radio crooners and American outlaws and bringing them into our modern conscience with an updated sense of humor is more than enough for me. The superb songs on their newest self-titled offering bear that out, but Andy Hamilton and Co. have something even more important. Something that’s absent in the modern era of auto-tuned artists and hick-hop charlatans masquerading as country music: real soul, undeniable musicality, and songs made with honesty and heart.


How did you get your start in country music? Was the genre something you always enjoyed, or did you come to it later in life?

Andy Hamilton (guitar/vocals): I grew up hearing country and southern gospel from my granddad; he was a southern Baptist preacher and used to have a radio show in Knoxville, TN. It always gave me some kind of sentimental feeling hearing that music, but it wasn’t ‘til I was in my 20s that I really discovered an appreciation for it. Over the years I had written a handful of country songs, never expecting to do anything with them. But then maybe five years back a good buddy of mine got cancer and when I was asked to contribute a tune for a benefit compilation, I recorded this sorta gunfighter ballad I used to play. After the comp came out I got a slew of emails from venues wanting to book us, so I figured alright, maybe it’s time to put together a country band.

Have you played any other styles before country? Do you think they’ve informed your music now?

Oh yeah, I played in rock-n-roll bands since I was a teenager. I studied classical piano and jazz guitar ‘til I was maybe 16, then I hit that point in my life when I needed the exact opposite. I found myself totally enamored by all the classic rock riffs and just couldn’t get enough. Still to this day when I hear a Zeppelin tune or some Creedence I can’t help but crank it up. Just the other day The Rolling Stones came on in my truck; that opening riff in “Brown Sugar” and I got thinking how many hundreds of times have I listened to this tune and it’s still so damn good!

I hear old country greats like Gram Parsons, Waylon Jennings, and the Flying Burrito Brothers in your sound; but are there any modern practitioners and musicians you take from, country or not?

There are some really amazing singers and musicians doing it right: Zephaniah Ohora is a country singer out of Brooklyn, of all places. He just released one of the best country records, hands down. My buddy turned me on to John Moreland a few years ago. John writes some of the most heartbreakingly honest songs and delivers them in such a way that you gotta have a heart of stone not to feel something.

Your music seems to take a lot from older country and western acts rather than modern ones. Do you feel you have any relationship to the modern country aesthetic or scene?

Classic country resonates with me more than anything. We like to draw from the old greats, then make it our own. I’m a huge fan of Faron Young, Roger Miller, Moe Bandy, Willie and Merle, of course. There are a handful of newer country artists who are keeping it honest; Zephaniah, as I mentioned, Amber Digby, Casey James Prestwood. I know a handful of players in the modern country scene; they’re all really great people.

How do you feel about the sound and style of modern country music?

Man, drum machines and autotune have no business in country music. I have to say this, there is a lot of music that’s churned out and mislabeled as “country”…it’s being marketed by the powers-that-be as something it’s really not. I’m not gonna name names, but I think it’s pretty apparent when some pop artist just bought a pair of boots and a new hat. Then there’s the recipe for writing modern country songs that just sounds like bros at a frat party: it’s so transparent and soulless. But some folks really like that stuff. I mean REALLY like it. It’s just not for me.

Can you tell me a bit about the Rocky Mountain Contraband? They’re an exceptional bunch of musicians. Where/when did they come into the fold?

I started this band a few years back with my good friend, Dave Barker. He’s a killer drummer and had been playing pedal steel guitar a few years. We wrote and recorded a full album, then ditched it. Playing country music is a different animal and we realized if we were gonna do this right, we had to really study the music and learn how to play our instruments. We didn’t want to come off as rock musicians “playing country.” You know? We didn’t want to fake it. Both of us play with Casey James Prestwood & the Burning Angels as their hired guns. That gig has opened some doors to studying under some really big names in the genre. I feel really fortunate for that opportunity and how it’s forced us to progress as musicians.

How long have you played in the Colorado scene?

In Colorado alone I’ve been playing since the late 90s. I was in a handful of rock, metal and psych rock bands. Here in Denver I had a band called Houses that was one of my favorite bands I’ve ever played in. There was some real magic there.

Do you enjoy it?

I really like playing in Colorado. People don’t come out to dance like in Austin or Nashville, but man, there’s so much opportunity to experiment with new sounds onstage and the crowds are really accepting.

Anything you’d like to see more or less of in Colorado music?

I would love to see more country players. We live in the West; this is it, man! But where are the country players? We’ve got a good collection of bands here, some are more true to classic country and some are doing their own thing. I just hope it continues to grow.

This album was recorded all over Denver in various studios. Was this happenstance or something you were actively going for?

It really came down to time and money. We did a couple tunes with our buddy, Chris Fogal at Black In Bluhm. Chris has a great ear and is fun to work with. The Christmas tunes we threw together pretty last minute, so we recorded those with our own gear at Dave’s shop. In the future I would like to spend a good week in the studio, getting sounds we like and really crafting songs.

 

 

How long did it take to come together? And how was the recording experience for this batch of songs?

All in all it was a few days. We had a couple guest musicians, so some of the instruments were tracked in Nashville, then sent back to us. The overall experience was a little disjointed. I really like to connect with the people I’m recording with as much as possible, and that proves challenging when we’re working all over the place. But everyone was super easy going through the whole deal and I think it all came together nicely.

What would you like listeners to come away with after listening to this EP?

Well, I hope listeners can hear the effort we put in and appreciate the musicianship. I would love more people to discover a love for country music. There’s so much more than the tripe what’s fed to us on the radio and sadly, much of that gets overlooked because people don’t know where to find it. But it’s out there.

Any release / show plans here in Colorado?

No release shows for this EP. We did just play a couple weeks ago and I failed to mention we had new tunes out. I’m not great with self-promotion. My plan for this year is to write, record, and release as much music as I can when I’m not out on the road. I’ll book a release show when we put out our first vinyl.

Sounds like a plan!


If you can’t wait for the vinyl from Andy Hamilton & the Rocky Mountain Contraband, head over to rockymountaincontraband.bandcamp.com to nab the digital release to hold you over.

Continue Reading
Click to comment

Arts & Culture

Soul mates: An interview with Colorado’s in/Planes

Published

on

I feel the need to take a quick second to clear something up—I watched the band in/PLANES get married. Not for this article, mind you; the ceremony was years ago. I have been friends with musical and otherwise soulmates Inaiah Lujan and Desirae Garcia for over a decade at this point (due in no small part I’m sure to our mutual enthusiasm and passion for local music). As a result, I have had the opportunity to bear witness as not only their music but also relationship has burst and bloomed into multiple amazing endeavors. Whether it was their passionate and spirited take on Dustbowl-era Americana as members of folk revivalists the Haunted Windchimes or the wonderfully intimate lo-fi solo albums the both of them have released over the years, these two have a continually impressive musical output and a charm that I have always been excited to delve into. Hell, they even played in my basement once upon a time.

But none of them have struck me quite the same way as in/PLANES has. “Radio Wave,” their first full-length offering via Denver indie record label GROUPHUG, is something altogether different; something wondrously unique. It could be their voices. THOSE voices—honeyed and harmonious—especially whilst entwined in the duets that frequent the songs of in/PLANES. It could be the melodies they create—a riding-high blend of 50’s sha-la-la doo-wop, 60’s sunshine pop and indie-birthed soul—that feels distinctly pop without the trappings of sounding glossy or over-produced. Where tons of modern indie acts are ready to make a loud racket, in/PLANES instead opts to let the grooves play out sparsely and intimately, with inviting musicianship and vocal performances that envelop the space surrounding them. Whether live in concert or in the car, the music of in/PLANES holds on tightly and never lets go.

PULP: It’s weird trying to formally interview you guys; being friends makes it weird to ask you questions in a regular way.

Inaiah Lujan (guitar/vocals): That’s okay.

Desirae Garcia (bass guitar/vocals): We’ll be semi-formal.

IL: Business casual. (laughs)

I did do some research though, and I realized that in/PLANES has been around for longer than I remembered. But this new album is your first full length?

IL: Yeah. This is our first formal release that isn’t an EP. And also first physical release. There is some intention with that. You know that we are champions of analog stuff; Cassette tapes are my first love; I grew up making mixtapes. And CD’s have always felt pointless to me, but for so long we played the game because you used to HAVE to have CD’s on the merch table. But this band has been pretty vocal about our disdain for CD’s; “Radio Wave” is only going to be available on cassette. You’ll get a digital download with purchase of the tape.

Speaking of which, what does the name “Radio Wave” mean in regard to the band?

DG: It’s a line from the song “Why Didn’t You,” a song that is actually not on the record. (laughs). But it’s the very first in/PLANES song we ever wrote. We wrote that song, and it felt like it was part of a totally different project; it felt different than anything we were doing. So maybe it’s a nod to the beginning of the project. We like to think of the song as kind of a breadcrumb to where we are at now.

IL: The benefit of this band is getting to take our time with things; to be more intentional. So now we have been releasing stuff retroactively. The EP we released just last month is stuff we had recorded from our apartment; “Radio Wave” is stuff we put together with Adam Hawkins from Right Heel Music and our drummer Carl Sorensen, and we already have another album in the works.

For me, it also has dual meaning; in/PLANES seems to always create this kind of duality. “Radio Wave” also musically reminds me of when people were only listening to the radio. It kind of plays to idea of this vintage-pop genre we’re kind of going with.

DG: That’s also the music that this record is really inspired by.

IL: The EP feels like kind of a sampler or mixtape for what we’re all about, but this full length is more focused; a little more of that classic pop sound. It’s a fitting title for sure.

DG: Also it’s 1,000,000% love songs; which is bad and good. (laughs)

When you wrote “Why Didn’t You,” did it feel like a song intentionally for a new project?

IL: I think it just presented itself that way; I had been toying around with some chords, and I had been trying to write a song and I didn’t know where to start with melody or lyrics, so I had Desi help me out and it came together really quickly.

In doing so, we realized that we hadn’t collaborated in that way with just the two of us since the beginning of the Haunted Windchimes. At that point, the ‘Chimes had already become four contributing songwriters and had developed a strong formula; in that way it felt like not exactly a departure, but something new that we could try and explore on our own.

DG: It came out really naturally and organically. And it didn’t fit anywhere, either with the ‘Chimes songs or solo songs.

Do you feel like fans of the ‘Chimes and your solo efforts are following you down this path?

IL: I think so. We are all taking a break with the ‘Chimes for now, but we haven’t officially announced that to our fans, so sometimes we’ll get messages asking where we’ve been and why haven’t they heard any news about the band. So maybe some people are a little resistant to it. I don’t know.

DG: It sounds different enough so that some people aren’t going to be into it, which is okay. The other day, someone left a comment on the Windchimes Facebook page asking about us, and another person commented back saying “you should check out in/PLANES and (Haunted Windchimes member Mike Clark’s) the River Arkansas” and the first person commented back “We just like ‘Chimes’ style music,” which is okay! You don’t have to follow us everywhere.

IL: The great thing about being an artist and a musician is the ability to shift gears and follow rabbits down different holes. And with in/PLANES, we’re already trying to get out of our own box and comfort zone. But the common thread that ties it all is that we write all of the songs together, and we wear our influences on our sleeves.

So if you had to explain what you think in/PLANES sounds like, what would you say?

DG: That is my least favorite question, because it’s so hard to explain. The shortcut i usually go for is throwback, vintage pop with some rock tendencies. And if they’re listening after that, then I’ll just keep talking until they walk away, because it’s so difficult to answer.

But like to go with vintage-pop, because if someone says rock & roll, I don’t feel attached to that. We write pop music; all the formulas, the lack of formulas…

IL: It does feel like something you would turn on the radio and hear in the 50’ or 60’s to me, but our modern influences still sneak in; we’re both big fans of hip-hop and country music, and it all gets in one way or another.

DG: Digital drums are where we lose a lot of people. They’re like “WHAT? Is that a digital drum?” And I’m like, “Yup, it is.” (laughs) It’s those 808 beats.

The electronics are really subtle in your songs though.

IL: I think so too. I think we just want to be able to write a song without putting it in a box, you know? But at the same time, making sure to trim all of the fat; which may be contradictory.

We’re not trying to write complex songs. I don’t like to have any rules, but I do like to set limitations on myself; almost like limiting your color pallette if you’re a painter.

DG: Not to be pigeonholed, but also maintain some cohesion. Present yourself in a way people can understand. I don’t like to tell people what genre of music we are, but it is helpful for us; it makes us more focused.

IL: Knowing where the line or limitation is and knowing how far we can push it over causes a tension we like to work under. It’s good tension.

DG: You can’t put me in a box—only I can put me in a box!

“Radio Wave” from in/PLANES is out 5/3 on cassette via GROUPHUG records, with a slew of release shows and a digital release to come soon thereafter. For full dates and info, head to inPlanes.com

Continue Reading

Music

CO Springs emcee Che Bong goes outer limits on new psychedelic full length

Published

on

Electro-Soul Hip Hop | Che Bong – From the dusty ‘Amen break’ heavy loop-gone-psychedelic of album opener Telescope to the lo-fi space rockin’ of album ender The Paradox of Time, CS emcee Che Bong (of Bullhead*ded) has really outdone himself and the genre itself on Telescope to the Heavens. With an album full of immersive and challenging-yet-chill hip hop musicality that owes just as much to free jazz and psychedelic rock as it does to hip hop and neo-soul, Che is on some next level stuff.  Get. On. It.


90’s inspired Alt-Punk | Hooper – “No Monument” from Denver Rock City punkers Hooper does a couple things very well; it provides stellar songwriting and momentum building, gives a healthy shot in the arm of indie-slathered 90s era punk rock, and in doing both provides a direct line to the sonic and perhaps more importantly workhorse aesthetic of the nascent indie punk heyday of the 90s. Trip out on that, holmes!


Blackened Sludge-Punks | Worry – The newest EP from Colorado Springs heavies Worry is not for the faint of heart, smashing heads on the punk rock with a bludgeoning mix of seething sludge metal and intrinsically intense hardcore know-how. Monolithic and absolutely monstrous, the seven raw cuts on A Celebration of Suffering are gloriously bleak, blackened and smolder with an actual extremity that most other “extreme” bands often lack.


Slow Burn Indie Rock | Wrinkle – Mind melding and photosynthesizing the big hook power-pop of early Weezer and the Rentals with the wide-eyed indie bend of Neva Dinova and Cursive, Denver’s indie rock supergroup of sorts Wrinkle are a slackers fever dream; a haze of unaffected yet disaffected indie-fed pop rock that first and foremost rules and that is more commercially viable than them nor I would care to admit on their newest offering A Kaleidoscope of Butterflies.


All releases available for purchase now thru Bandcamp. Go Local!

Continue Reading

Music

Raw Rock & Roll and dark Blues collide with Denver’s the Velveteers

Published

on

At only six tracks long, this brand new self-titled EP via Denver’s the Velveteers (Recorded on warm analog tape at Silo Sound Studios in Denver) is a half-hour long magic spell; a concoction of twisted psychedelic undercurrent and blues-rock guitar histrionics draped in the smoky and arresting vocals of one Demi Demitro. Demi, along with co-founder and multi-instrumentalist John Demitro, conjure the kind of gnarled, foot-stomping rhythms and riffs that have dual citizenship between the acid-laced Led Zeppelin 70’s arena-rock heyday and the modern fuzz drenched, psychedelic revival of now.

Musically, this 2 piece makes quite the racket. Raw rock and roll power and deep, dark blues mystique collide head on. If you want a band that can riff, look no further! You may snap your neck clean off from all the head nodding you’ll involuntarily be doing. Like a confession to the dark lord himself, the Velveteers pen the kind of dirty rock and roll diddies that are a conduit for the heathen in all of us. With lyrical gems like “You know just what your doing to me / but heaven knows what’s up your sleeves” (off of the sublime album midpoint “Bloody Little Secrets”), Velveteers delve into the dark and macabre underbelly of the mind and bring back blues-laced musical treasures for the world to behold. We should be so lucky.


“The Velveteers” is streaming (and for sale hint hint) via Bandcamp now. Live dates and more info on Facebook.

Continue Reading

Trending