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Pueblo Indie-Pop Songwriter James Hawken hones a unique voice on new EP

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Sweetly Serene Storytelling | James Hawken

In the 7 songs that comprise Pueblo singer/songwriter James Hawken’s A Better Message EP, you’ll find a bit of Pop, a bit of Indie, a bit of downtempo Blues. Which is all great. But the impressive part is the crafting and culmination of these influences to create soulful, heartwarming and out and out great songs from a man who just may be on the come up in Pueblo. Check this one out.


Deep Jazz Boom Bap | Qopycat

Moody and introspective, Qopycats sublime The 3-Letter Word opts for a subdued and downtempo series of instrumentals that break into elements of loose jazz and soul-laced RnB, while retaining hip hop as their core. But these aren’t your standard rap beats; they’re more like afterparty jams, low and slow, meant for just a few heads at a time.


Angular Indie Rock | Simulators

Seemingly drawing from a well of 30+ years worth of independent and underground rock music, Denver’s Simulators new EYES EP funnels the metaphorical gasoline of hyperkinetic post-punk and driving 80’s college rock bands into a melodious modern glass bottle, lights it with a rag and blows it all to hell. But in the best possible way.


Fuzzy Murk Metal | Green Druid

With 3 songs that plod their way gloriously over the half hour mark, Denver’s Green Druid sludge out the kind of heavy fuzz jams on Ashen Blood that may just give you a contact high. Deep, thundering sections of proto-metal intermingle with pieces of moody atmospherics, creating a heavy metal monster that could likely do damage to any city in its’ path. -John Bueno


We wanna hear your new music. Seriously. We ❤ new music! No matter the genre, drop us a link at [email protected] so we can get our fix!

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Boulder indie-rocker Eric Dorr’s debut EP shines bright from the get-go

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The indie music camp has sure seen quite the split over the years, with the early college-rock station inspired purists of yesteryear often scoffing at the larger influences that pop and electronic music have had on the genre within recent years, going so far as to call the genres original intentions “dead.” Which, my friends, is dumb as hell. Sure, we all love our Superchunks and our Dinosaur’s Jr, but to call an entire genre dead is to negate the existence and unyieldingly diverse essence of a new batch of DIY artists.

 

 

To do so would also discount Boulder songwriter Eric Dorr, which is something I will not stand for. On his sublime Dream Routine EP, Eric has managed to exude a work that combines the recognizable mishmashes of so-called “original” indie tenets of singer-songwriter espousal and heart and weave them delicately with an undeniable feel-good brash-pop fabric and subtle electronic flourish, with songs like album midpoint track Leaves veering into electronic territory (albeit with heart and songwriting chops firmly intact) and album closer Next to Me echoing the undeniable good vibes of Jimmy Buffettalbeit updated for the youngins but still taking listeners to Margaritaville regardless. The resulting album is full of sweetly tangible indie rock that goes down smooth.

 

 


 

Eric Dorr’s Dream Routine is available for digital and physical purchase now via Bandcamp. For show dates and more, head to Dorr’s Facebook page.

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The Country-Punk fury of COS Tejon Street Corner Thieves is a sound to behold

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COS: Rip-Roarin’ Countrypunx | Tejon Street Corner Thieves

The hard tourin’, hard livin’ trashgrass heroes the Tejon Street Corner Thieves are back and better than ever with their new album Goers. While their 150 proof still of americana, bluegrass, and country-fried punk have been a fan favorite for a while now, they’ve somehow managed to outdo themselves on Goers, fuel-injecting this into a new batch of tunes that take said formula and rev it up even further with a newfound sweetness and storytelling ability.

 

DEN: Garage Rock Reverberation | Henry & the Kissengers

Bombsaway, the new six song sonic offering from Denver’s perfectly named Henry and the Kissengers, is hi-watt garage-rock hip shake and retro-fed psychedelic squelch personified, a perfect marriage of the Kinks grit and the Byrds sheen. Unsurprisingly, the entirety of the album sounds and more importantly feels like an unearthed relic straight from your grandparents attic via the free-love 1960’s. Don’t take the brown acid!

 

DEN: Double Indie-Pop trouble | Kissing Party / Bleak Plaza

At 3 songs each, this split album between Denver’s Kissing Party and Bleak Plaza masterfully showcases both groups in sharp, succinct bursts; tracks 1-3 showcase the largely uptempo and raucously jangle-pop of Kissing Party, with the last 3 delving into the swirling, hazy psych-pop of Bleak Plaza; offering listeners two great tastes that perfectly complement one another.

 

DEN: Ska-Jazz Mastery | Dendrites

Fun Fact! Not only is the term “Rude Boy” a dank Rhianna song, but a classic term for followers and fans of Jamaican ska and reggae music. And my newest fave batch of Rude Boys are Denver’s Dendrites, who make the kind of tightly coiled and energetic jump-up instrumental ska tunes that will no doubt have you dancing the dang night away. Pick it up. Pick. It. Up.

 


 

All releases available for purchase now thru Bandcamp. Go Local!

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Like an 8-bit joyride, catch Denver’s glitch-pop Goremall

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If You Like: Com Truise • Nintendo • Chromatics • Sega Genesis

Nostalgia season is upon us, and I’m not immune to it. This time of year I often think of the best Christmas I’ve ever had. At the tender age of 8, in 1993, my parents, being of sound mind and parenting, gifted my then and somehow still younger brother and I the Sega Genesis Entertainment System. It was our Christmas Story Red Ryder moment. We did it! For years to come, that game and many others were how we spent probably too much of our free time.

The older I get and the further away from those days, the more something peculiar happens; I find myself humming the songs from those old games. The literal in game old synth-heavy diddies have wormed their way into my brain, to the point where I can tell you which level corresponds with which song. I’m not the only one; not by a long shot. There are now entire genres of nostalgia-based and era-heavy musicians and artists out there.

Synthwave is one of them. Initially an offshoot of the 1980’s New Wave, today’s version is largely an online dispersed and traded music style heavily mirrors the electronica-induced movie soundtracks and video games of the 80’s and 90’s and funnels them through our internet-obsessed culture to create a retro-futuristic sound that can really take you back into time.

 

The music of Denver’s Goremall is one of these time machines. Far from being just retro synth tones with overlaid beats, Arcadeland from Goremall takes it to 88, really capturing the fun and analog-tech musicality of 90’s video games and movies, and in the process transports you headfirst into a simpler and more care-free era.

 


 

Pick up Arcadeland from Goremall right now from Bandcamp

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