Through the lightly Juniper specked cliffs cupping the slight winding roads, you can take a slow drive past the quiet residences of small towns that don’t make it on the map. Drive a little further, you might find yourself cruising upstream to the rushing Arkansas River. You may even see a lonely rafter eager for some white water or an angler hungry for brown trout. Art is neither a rare spectacle. You can walk down main street and spot several art studios full of a life’s work, or you can see an artist diligently completing his oil painting halfway outside of his studio door. For some, not much is really happening in Canon City for the art community but recently the Fremont Center for the Arts scored a major coup by showing an internationally-known artist’s creations.
Thomas ‘The Painter of Light’ Kinkade’s, artwork made its appearance at the Fremont Center for the Arts in Canon City. Thomas Kinkade is the American artist known for his realistic and impressionistic paintings using three elements of light: water, sunlight, and artificial light. His purpose in painting was to simply paint with his heart. Although he never searched for fame in his work, he is the most sold artist in the country and became so reputable that his art is easily spotted in St. Jude Hospitals, The White House and even the Vatican.
The FCA is a non-profit organization home to the local artists of Fremont County but also host to collections and exhibits of art ranging from Day of the Dead exhibits to the Splendor of Glass exhibits to Artist of the Tattooist. The FCA’s establishment is known to the art community, but to outsiders it merely appears to be an extension of the public library across the street. To discover that Kinkade is in Canon City is a stunning piece of news, so with all this excitement, many are left wondering, how does artwork of this caliber make its way to a small town?
Art centers are struggling and it doesn’t matter that Canon City has the oldest Arts Community Council west of the Mississippi. The FCA’s Visual Committee has been working for two years to bring Kinkade’s original artwork to Canon. It all started in March 2011 when Linda Bella brainstormed ways to get more big name artists associated with the FCA. With the help of Linda Carlson, Bella settled on attempting to contact Thomas Kinkade. The Lindas searched diligently for his contact information, eventually finding it on Google.
Once they made contact with Kinkade, they proposed he show his art in Canon City. Kinkade’s response was a hearty chuckle and a “we only do shows in big cities.” Carlson’s logic was that big name art shows are less popular in big cities because the competition is too fierce, but in a smaller city, there will be a larger turnout of appreciative fans. Kinkade found reason in the proposition and March 2013 became the date for display. But the process took an abrupt halt when Thomas Kinkade passed away unexpectedly in April 2012, inevitably cutting off any correspondence with any and every person associated with Kinkade. “We almost didn’t get it,” said Carlson. For months, the Lindas had nearly given up on getting Kinkade to Canon until October when contact was resumed and the plans to showcase Kinkade continued.
The FCA paid $300 for shipping each original painting from California to Denver. The display consisted of both original paintings and giclee of prints like The Wailing Wall, Disney’s 50th Anniversary sketch, his Fenway Park painting, Walk of Faith, and many others.
I asked Carlson what the FCA hoped to gain out of bringing a world famous artist to Canon City. They hoped to increase interest, awareness, and support for the FCA, regardless of an artist’s prestigious reputation. During the one month display, the FCA sold $3,700 worth of prints, while the Denver Kinkade dealers anticipated only $200 profit. Between the splendidly detailed paintings and Patrick Kinkade’s heartfelt presentation of the hysterical and historical timeline of Thomas, the Kinkade display at the FCA turned out to be a great success for Canon City. So, who’s next for the FCA? The Visual Committee set July 2014 as the tentative date to showcase a Norman Rockwell display for two months.
by Kelly Branyik
Cover photo The Fremont Center for the Arts